Architectural Photography

For more than two decades I have photographed architecture with a disciplined and attentive eye. I am instinctively drawn to proportion, rhythm and the way light reveals form. My approach is calm and methodical — observing how a building sits in its environment, how it breathes throughout the day, and how it can be translated into a composed, lasting image.


Architectural Photography Services

Nick Guttridge works with eminent architects and developers to create lighting-led imagery that enhances composition, materiality and spatial intent.

Commissioned imagery is often used for RIBA award entries and as hero imagery for international marketing campaigns.

Architectural photography is the art of translating three-dimensional design into compelling two-dimensional form.

Using a range of cameras including Leica with shift lenses + a medium format Arca Swiss F Metric camera system, Nick controls perspective with precision — applying rise, fall and shift movements to maintain structural integrity and sculptural clarity.

Each commission is approached as a staged composition: balancing geometry, light, colour and human presence to create images suitable for publication, award submissions and long-term portfolio use.

My Approach to Light & Composition

Light is the foundation of my architectural photography.

I am acutely aware of colour, proportion, texture and spatial rhythm within a frame. Architecture is not simply documented — it is interpreted through the careful balance of form and light. I often use shadow and silhouette to draw the eye deeper into the composition, allowing space to unfold gradually rather than revealing everything at once.

My background in Product Design at Central Saint Martins — influenced by Bauhaus principles — trained me to recognise the relationships between structure, material and geometry. The interaction of line, mass and negative space still informs how I compose. Each frame is considered as a constructed image: a balance of collision and harmony between materials, light direction and architectural intent

Lighting has become a defining element of my practice. Rather than overpowering a space, I shape and extend existing natural light to maintain tonal consistency and architectural clarity. When required, I introduce carefully controlled artificial light to replicate the quality and direction of daylight, enhancing texture and depth while preserving authenticity.

Camera placement is equally critical. Positioning in relation to light determines how surfaces resolve — whether stone, timber, plaster or glass. I seek clarity without flattening, contrast without harshness, and atmosphere without distortion.

The aim is always the same: to create architectural images that feel composed yet natural, technically precise yet quietly immersive.